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Item Type:ArticleItem Status:Live ArchiveAbstractIn this article, I consider how the revived interest in ontology within sonic theory connects to questions of race. Symptomatic of a broader ‘turn’ to ontology in critical thought, the (re)turn to ontology in sound studies is predicated on an ‘origin myth’ that disavows ‘old’ questions of culture, signi fication, discourse and identity, and promotes ‘new’ questions of materiality, affectivity reality and being. This origin myth is re articulated with the intro duction of Christoph Cox’s materialist sonic philosophy, which hears the ‘richest’ sound art as giving voice to ‘the nature of the sonic’.
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